“Die Fledermaus” is directed by Barbara Heroux, and conducted by George Cleve. Performances are Friday, Jan. 24 at 8 p.m.; Saturday, Jan. 25 at 2 and 8 p.m.; and Sunday, Jan. 26 at 2 p.m. For tickets, call 925-943-7469 or visit lesherarts.org; for more information, visit lamplighters.org or call 415-227-4797. Holmes is a wetland regulation and restoration policy expert with 25 years of experience. He has served agencies at the state, federal and international level in his wetland protection and restoration work.
Peninsula Youth Theatre, “She Kills Monsters.” 2 p.m., 7:30 p.m, Sept, 23, By Qui Nguyen, Mountain View Center for the Performing Arts Second Stage, 500 Castro St., Mountain View, $17, mvcpa.com or 650-903-6000, TheatreWorks Silicon Valley, “The Prince of Egypt.” Oct, 6 through Nov, 5, Co-world premiere (in collaboration with Fredericia Teater in Denmark, where it will be staged in 2018) musical about Moses and Ramses, Score and lyrics by Stephen Schwartz, book by Philip LaZebnik, Directed by personalized ballet shoes two-tone shoulder bag with free personalization & free shipping b1510 Scott Schwartz, Featuring Diluckshan Jeyaratnam and Jason Gotay, Mountain View Center for the Performing Arts, 500 Castro St., Mountain View, $40-$100 (discounts available), theatreworks.org or 650-463-1960..
Why put Gaga through this misery? Why do Carter and almost every other executive and manager in the entertainment industry, when given the chance, prefer to push for big openings by spending heavily on advertising and distribution, rather than increasing marketing expenditures more gradually? The reason is simple: All else being equal, the odds of achieving success in the marketplace are higher with a wide-release strategy than with a limited-release approach. One key factor here is that people like winners — they prefer to consume entertainment products that are also chosen by others. As a result, a solid opening is often a huge factor in a rollout. For media products, initial success breeds further success, while a failure to achieve success early on frequently means having no chance to succeed at all. Executives will do everything they can to gain the upper hand in a battle with their rivals right from the time of launch, which means opting for a wide-release strategy. In the case of “Born This Way,” for instance, it would be very risky to rely primarily on word of mouth: Any loss of traction with initial audiences could hinder the album’s launch. Especially with a high-profile artist like Lady Gaga, raising a high level of awareness among the largest possible audience ahead of a new product’s release is the safest approach. “Leave no stone unturned” was Carter’s motto ahead of the “Born This Way” campaign.
“The Best Exotic Marigold Hotel” did just that, The 2012 indie feature about an attractive, plucky group of retirees discovering joy in a scrappy hotel in India was a personalized ballet shoes two-tone shoulder bag with free personalization & free shipping b1510 renegade hit, mostly thanks to scene-stealing pros such as Maggie Smith and Judi Dench, After it earned more than $136 million during its spry international run, producers called for more, hence the unspectacularly titled “The Second Best Exotic Marigold Hotel.”, While this breezy outing does feel very much like a sequel, with returning screenwriter Ol Parker throwing the usual obstacles and misunderstandings into the mix, the John Madden-directed dramedy is still a pleasant way to spend two hours, “The Second Best Exotic Marigold Hotel” digs up complex issues — sex and death — but never gets too heavy-handed about them, and that’s refreshing..
Michelle Ned, associate artistic director and former Alvin Ailey dance program trainee, rehearsed and choreographed a dance called “Journey,” which she said conveys her own path through life and ultimately coming back to her passion — dance. “The multimedia show not only honors great artists but also brings together families who are familiar with the music as well as brings generations together,” Ned said. Marisa Castillo, who grew up in Pleasant Hill and attended dance academy in Walnut Creek as a child, will be dancing a Lena Horne tribute accompanied by her husband.